As a music theorist, and a new member of the Melodrive team, I’m fascinated about how music in video games and VR has evolved and continues to evolve today. This is important to me because it concerns how music has changed in terms of its organisation and sophistication over the years. It is clear, even to someone who is a casual gamer like myself, that the aesthetic significance and evolution of video game music are critical concerns for the history of music, and demand serious attention. Particularly so since from an academic perspective at least, the genre is a little more niche than it deserves to be.

Continue reading