We stopped in sunny LA at Quincy Jones’ office to meet up with the incredible Jacob Collier and discuss musical bluffs, rhythmic cadences and mind mappings.
Before diving into our Q&A, Jacob and I had a wonderful talk about the future of technology in music. We found that our visions to be surprisingly aligned. Jacob is a man consumed by the mapping of emotion to different musical components. He said that he has always experienced and explored harmonies in a very emotional way–feeling out the different chords based almost purely on his personal perception. At Melodrive, one of our main tenets is to bridge the gap between computers and musical emotion.
When we listen to a melody, we’re usually able to understand if it sounds good or bad after just a few notes are played. The underlying cognitive processing employed to arrive at such an assessment – although extremely sophisticated – is carried out on an almost unconscious level. It all feels so natural that we don’t realise how many simultaneous elements are contributing to the overall experience. Indeed, a melody is a complex musical construct that involves many musical domains at once. There is pitch content involved, obviously. But a melody also comprises note durations, rhythmic and metrical elements, accents, structural relationships between the different subsets of the melody, articulations and dynamics.